Hoppa till sidinnehåll

Musikaliskt lärande som social rekonstruktion. Musikens och ursprungets betydelse för föräldrar med utländsk bakgrund.

Publicerad:2010-09-23
Uppdaterad:2012-03-27
Författare

Ylva Hofvander Trulsson

Handledare

Göran Folkestad och Eva Saether

Opponent

Professor Petter Dyndahl

Disputerat vid

LU – Lunds universitet

Disputationsdag

2010-09-24

Titel (se)

Musikaliskt lärande som social rekonstruktion. Musikens och ursprungets betydelse för föräldrar med utländsk bakgrund.

Titel (eng)

Musical Learning as Social Reconstruction. Music and Origin in the Eyes of Immigrant Parents

Institution

Musikhögskolan i Malmö

Musical Learning as Social Reconstruction. Music and Origin in the Eyes of Immigrant Parents

In Swedish higher formal aesthetic education, students from ethnic mi-norities are significantly underrepresented. This also seems to be the case in music education for younger children. Accordingly, the relation-ship between music education and the ethnic diversity of the contem-porary Swedish society, not reflected in the selection of students to the Swedish music and culture schools, is of vital importance for research. The overall aim of this thesis is to investigate music education in the eyes of immigrant parents, by examining the narratives of parents with non-Swedish backgrounds on the significance of music in their families. The specific aims of the study is to investigate how these parents de-scribe (i) the presence and role of music in their everyday lives and how it relates to their origin, and (ii) the importance of music learning to their children. The theoretical framework rests on the theories of Pierre Bourdieu and his definitions of various forms of capital: cultural, social, economic and symbolic capital. Furthermore his concept of habi-tus has been useful in order to understand the musical upbringing and the impact of the music in peoples lives. Qualitative in-depth inter-views were undertaken with 12 parents, six women and six men, now all living in Sweden, but with their background in eight different count-ries. The results are presented in three parts: (i) portraits of the par-ents and their backgrounds; (ii) the parents own narratives on music and music education and (iii) an analysis adopting the concept of social mobility. The discussion consists of perspectives on the practice of music as a potential tool for social success and integration of the chil-dren. It emphasizes the concepts of identity and music as a potential tool for social reconstruction. Class remobility, the reclaiming of social position through the next generation, and its possible impact on the upbringing of the child are also themes in focus. In conclusion, the complex interactions between teacher and parent, parent and child, student and teacher, three parties trialectically creating and nourishing teaching situations, are elucidated.

Forskningsbevakningen presenteras i samarbete med

forskningsinstitutet Ifous

Läs mer
Stockholm

Källkritik i AI-tider

Välkommen till en dag med fokus på källkritik i undervisningen! Ta del av föreläsningar om bland annat sociala medier och AI samt källkritik i tider av krig och AI-slop. Delta på plats i Stockholm den 14 oktober eller via webbkonferensen 21 oktober – 13 november. Boka din plats till bästa pris idag!
Läs mer och boka
Åk 7–Vux
14 okt
Digital temaföreläsning

Att främja samspel, kommunikation och lek för alla barn i förskolans vardag

Välkommen till Skolportens temaföreläsning om hur förskolan kan ge barn med autism goda förutsättningar för utveckling och lärande. Föreläsningen finns tillgänglig 11 maj–15 juni. Innehållet riktar sig till specialpedagoger i förskolan, men kan även vara av intresse för förskollärare och rektorer.
Läs mer och boka
Fsk
11 maj – 15 jun