Hoppa till sidinnehåll

”Vi vill bli hörda!”: En studie om communityteater med unga tjejer och platsen som aktör


Elsa Szatek har i sin avhandling undersökt hur en teaterpraktik samskapas med deltagare, plats och rum.


Elsa Szatek


Docent Karin Gunnarsson, Stockholms universitet Doktor Ulrika von Schantz, Stockholms universitet Professor Jenny Berglund, Stockholms universitet Professor Helen Nicholson, Royal Holloway University of London


Associate professor Tatania Chemi, Aalborg Universitet, Danmnark

Disputerat vid

Stockholms universitet




Institutionen för ämnesdidaktik

Abstract in English

The subject of this study is a community theatre for, with and by girls aged 13–17. The theatre practice is situated within the field of applied theatre and as a communitarian practice engages with artistic, social and political ambitions by staging the everyday of marginalised people. When describing and researching these kinds of theatre practices, emphasis is often placed on their democratic potential and positive notions of empowerment. However, the challenges which arise when participants with little or no previous theatre experience are to perform their lives in front of an audience are not often discussed in research. Accordingly, the aim of this ethnographic study is to explore how the participants’ lives are turned into creative and artistic expressions in the drama room and staged in front of an audience. By working with post-constructionist and spatial theories, humans as well as space, place and affectivity are acknowledged as co-producing actors. These theoretical positions, articulated by philosophers such as Rosi Braidotti, Gillian Deleuze and Michael Foucault, enable an analysis of how place, playfulness and vulnerability influence the theatre practice and how it simultaneously produces both possibilities and constraints for the girls. In four articles, the study addresses how tensions are produced in the process of staging the everyday. Article I engages with Foucault’s concept of heterotopia, addressing how the drama room is co-created with local context while also being an isolated room. Through an analytical mapping, the article discusses how theatre practice enables the girls to act creatively in relation to limiting norms in the drama room and other places such as school. Article II focuses on how vulnerability is both a generative and restrictive force when creating artistic expressions. The study points towards the importance of professional leadership that can navigate through multilayered spaces that are explorative as well as artistic. Article III breaks with the somewhat taken-for-granted role of playfulness in community theatre and applied theatre. The analysis implies that although playfulness creates agency in relation to restricting norms, playfulness can at the same time reinforce these norms. The article also challenges ideas of how playfulness bridges the gap between creative explorations and professional art. Article IV explores how the content of the theatre practice is created through negotiations between bodies, affects and feeling as well as space and place. Through the concept of an extended relational didactics, the article also discusses how the leader can relate to a content that is highly unpredictable and co-created by several actors. 

Forskningsbevakningen presenteras i samarbete med

forskningsinstitutet Ifous

Läs mer


Välkommen till Skolportens konferens för dig som undervisar i företagsekonomi!
Läs mer & boka
Åk 7–Vux
21 nov
Digital temaföreläsning


Skolportens digitala temaföreläsning för dig som vill lära dig mer om matematiksvårigheter ur ett kognitionspsykologiskt perspektiv. Vad är matematikångest, och hur bemöter vi det på bästa sätt? Föreläsningen finns tillgänglig mellan 28 oktober och 2 december 2024.
Läs mer & boka
Åk 4–Vux
11 nov – 16 dec
Dela via: 

Relaterade artiklar

Relaterat innehåll

Senaste magasinen

Läs mer